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Homestead Magazine Summer 2008: Swamp Gravy

By Charles Johnson

Each Swamp Gravy performance is unique, and features more than 100 local volunteers A play saves the day for this small Georgia community

Hertiage counts. Cultural fads come and go like dandelion seeds in an April breeze, but captivating stories of place and people remain, firmly rooted.

Those stories revitalized tiny Colquitt, Ga., located in the southwestern corner of the state, surrounded by fields of peanuts, cotton, corn, and soybeans. Against all the odds, in classic 'build it and they’ll come' fashion, Colquitt's folks decided to preserve local stories in a play staged as professional as possible. They named it Swamp Gravy.

A stew-like old-time country dish, swamp gravy is made from 'fish drippings' left over from frying fish, stocked with potatoes, onions and whatever else might be lying around the kitchen. It was an apt description for what they had on their hands. The play was a little bit of this and a little of that, some drama, some singing, some joke-telling, some gut-wrenching heart-felt emotion

Directed by Richard Greer, a New Yorker in on it from the start, Swamp Gravy opened in the Miller County Elementary School auditorium in fall, 1992. Crowds were wildly enthusiastic and performances sold out.

Quick Success. A couple of years later, they fixed up a dilapidated, snake-infested cotton warehouse near the town square, called it Cotton Hall, and moved the production there. Swamp Gravy was featured at the 1996 Olympics, and, that November, they performed at The Kennedy Center in Washington, D.C. That was just the start.

Since then, along with regular local performances, they’ve toured the region, helped develop other towns’ dramas, sponsored storytelling festivals, collected numerous arts awards, and re-energized Colquitt.

"It was a real snowball effect. It just kept rolling and we couldn’t get off," says Jennifer Trawick, executive director of the Colquitt/ Miller Arts Council, which produces the plays. "We wanted to do something to celebrate our Southern heritage. But all these people working together stimulated the local economy. We crossed the boundaries of racial and social agendas. It brought us together."

To keep interest high, they produce new plays under the Swamp Gravy banner. The feature this year is, "Swamp Gravy: Reunion," about a family reunion, built around the idea that the longest road is the one leading home.

Empowering. On show days, the town square fills with people in the shops. They also roam the area, looking at Colquitt’s unique murals painted as the "Millennium Mural Project," from 2000 to 2006. Many murals feature events from local history.

"Swamp Gravy gives us a creative outlet. We write it. We write the songs, too. These are not actors on the stage. We’re telling stories from the heart. We, the people, tell our stories to other people. It empowers us. I love every minute of it," says Charlotte Phillips, who acts, writes, and does scenery for the play.




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